• Interior Windows, (2008-2020).
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Photo London, Goodman Gallery, 2022

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  • Interior Windows, (2008-2020).
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Interior Windows, (2008-2020). Lightbox (Detail)
  • Photo London, Goodman Gallery, 2022

INTERIOR WINDOWS, (2008-2020). LIGHTBOX.

This last part encompasses the interior passage windows that enclose the gaping, hollow core, which runs almost 200 metres up Ponte City’s centre. Subotzky and Waterhouse photographed across the core on each floor, pointing straight over the 30-metre abyss, but also up and down to capture the vertiginous scale of the space. The images are obscure, a result of the darkness in which they were taken, along with the filth and grime clouding the locked corridor windows through which the pair were often forced to shoot. Bursts of colour and flickerings of life, do, however, punctuate the otherwise overwhelming emptiness: a man has cracked a window and gazes out; a family congregate in front of a clouded pane of glass; an onlooker presses his face to an aperture and peers through it.

From BJP written by Hannah Abel-Hirsch